
Emerald Onyx
Turned from emerald marble with the natural gold veining running across it, and seated with a gold rim and a gold finial on top. The deepest green in the collection, and the one that takes the highest polish.
Luxury. Natural. IKONIC.
Five finishes, one form. Each holder is turned from a single run of marble or onyx, polished until the surface holds light the way still water does, and seated with a gold rim and a gold finial on top. Because the stone is natural, the veining on yours runs the way no other holder in the collection does.


Turned from emerald marble with the natural gold veining running across it, and seated with a gold rim and a gold finial on top. The deepest green in the collection, and the one that takes the highest polish.

Near-black onyx with a faint pale veining that only shows when the light rakes across it. The quietest of the five, and the one that makes the gold read loudest against it.

The palest of the five, cut from white onyx with fine grey and gold veining through it. It reads almost ivory in daylight and warms up under a lamp.

An even grey with white and silver veining, finished satin rather than polished. It is the most consistent of the five from block to block, and the one that sits quietly in a room that is already finished.

A warm brown with lighter veining, turned and polished by hand. It is the warmest of the five, and the one that pairs most closely with bronze and brass.
Every holder is made in the five finishes, and because the stone is natural the veining on yours exists nowhere else.